A conversation on how technological innovation in architectural design and fabrication creates new possibilities for architecture deeply rooted in place — examining the poetics of Bay Area locality through design, material intelligence, and advanced manufacturing.
Themes to be covered:
Poetics of Bay Locality The Bay Area’s wooden grain, eroded coastlines, fog, and bay currents offer a sensory vocabulary rooted in climate, culture, and memory. Like tectonic strata, these phenomena record forces, light, and time—creating opportunities for designs and architecture that resonate with regional character and environmental experience.
Technological Innovation as a Design Medium Digital fabrication using adaptive 3D-printed formwork to achieve real-time color gradients and multi-material fusions gives designers the ability to respond to place. These technologies allow form and fabrication to evolve together, embedding local narratives and environmental sensitivities directly into the making process itself.
Encoding Place Through Situated Making How materials carry the memory and character of a place—bay mud, coastal fog, wooden grain—and how advanced fabrication technologies encode these sensory phenomena directly into built form. New construction methods honor cultural heritage while transforming regional materials and environmental conditions into design intelligence. Computational design and robotic fabrication become tools for amplifying place-based identity rather than imposing universal standardization.
Speakers:
Moderated by Alexey Dubov — serial entrepreneur and venture capitalist at the intersection of construction technology, robotics, and the built environment. Co-founder of BuildTech VC and pioneering the 3D-printed housing startup Mighty Buildings.
Andrei Hakhovich is principal designer and founder of Gradient Matter, as well as co-founder of Echoes of Future Matter. Gradient Matter is a San Francisco-based multidisciplinary studio working across architecture, public art, interiors, and bespoke objects. His practice brings together computational design, fabrication, and material research to explore new narratives, spatial experiences, and novel forms, creating work that is poetic, ecological, and deeply sensorial.
Antoine van Erp is the founder of Matter Makers, a practice bridging avant-garde design with hands-on fabrication. Over 15 years, he has led complex international projects at premier European firms including Heatherwick Studio, UNStudio, and Powerhouse Company. Today, his work focuses on material intelligence and localized craftsmanship, alongside teaching as a graduate faculty member at the Academy of Art University.
Elena Dendiberia is principal designer of Studio AHEAD, a San Francisco-based art and design collective co-founded with Homan Rajai. The studio’s approach is “borderless,” with roots that are far-flung yet deeply embedded in regionality. Drawing from diasporic experience, the studio holds that there is no universal idea of functionality that fits all cultures and people. What remains constant is an appreciation of tradition and craftsmanship.
Jason Kelly Johnson is lead artist and co-founding partner of FUTUREFORMS, bringing expertise in computational design and advanced digital fabrication, produced through the lens of critical art practice and public space advocacy.
Nick Polansky is principal of NWP Art and Architecture, a dual studio practice in San Francisco’s Mission District. With over 20 years of experience, Nick cross-pollinates architecture, art, and urban design as one dialogue. His recent project Fjord, a floating sauna experience in Sausalito, ties together a fascination with repurposing and upcycling materials to transform waterfront access.
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